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- Ribviews
Whether theyre
straight out of the kitchen or have been sitting under a heat lamp for
a minute, here is a sample of releases Ribbers decided to taste. Like
other zines, we have rated them, but with our own complicated culinary
system from one rib (lowest) to five ribs (bestest).
Chamillionaire The Sound of Revenge (Universal)
Houston rapper Chamillionaire’s initial major label entry continues
the hot streak of Texas hip-hop, though his flow, approach and sound
are quite different from Mike Jones often repetitive approach, not quite
as vocally edgy as Slim Thug or as inconsistent as Paul Wall. Instead,
he rotates his material between inspired social commentary, confrontational
fare, and party/club items. The best of the political works include
“Ridin’,” with Krayzie Bone that ventures into the
arena of racial profiling, “Frontin” which takes a harsh
stand against social climbing and fakery, and “Void In My Life,”
as well as the memorable “Rain,” where Chamillionaire, Scarface
and Billy Cook take turns expressing as much vulnerability and uncertainty
as you’ll ever hear on any rap tune. “Southern Takeover”
celebrates the continued domination of down-home hip-hop, with Pastor
Troy and Killer Mike joining the proceedings. The most troubling work
is “No Snitching,” another in a growing series of cautionary
tales aimed at informers. But unlike some others that have simply denounced
any and all people who call the police, this song takes a closer look
at federal drug informants, presenting a scenario where individuals
turn on each other for profit rather than out of concern for the community.
It’s still a problematic number, but at least doesn’t glamorize
or defend criminals in its theme. Overall, this is a solid debut session,
even with the occasional less than exemplary selection. Ron Wynn
Chip Greene Ominous EP. 3 ribs-Tasty
little morsels.
Drawing comparisons to Ryan Adams and Aimee Mann, this fresh-faced Nashville
talent serves up a three-song sampler to whet appetites for his forthcoming
debut full-length. Sandwiched between the ultra-poppy "Everything
About You" and very pretty "Precious Time" is the lush
melancholy of "The Art of Abandon." It's all good, but too
little to tell. David Thornton
Civet Massacre (Disaster). Don't choke
on this gristle: 2 ribs.
On first listen to this debut disc from four fresh-out-of-high-school
OC chicks, the CD kept repeating the song it had just played, just begging
not to be reviewed. The cover is intriguing, showing the girls all dressed
up to get messed up, and the half-page of press bills them as a 21st-century
answer to the Runaways - but that's exactly what you should do: run
away from this crap at all costs! Things start off with the Courtney
Love/Joan Jett retread "Closet Death," followed by the L.A.
Guns-style guitars of "State Line" and the promising Lush-like
beat of "Old Glory" before dissolving into an L7 imitation
possessing a modicum of their talent but minus every bit of irony. "Everything
Everything" features an amateurish rant that drops more f-bombs
than Madonna on Letterman, and tracks 8-10 are actually entertaining
with even better monikers ("Hardcore Bitch," "Handgun
and Cocaine" and "Murder 944"), but the disc melts all
the way down to the ultra-cheesy title track. The drummer doesn't have
cowbell and she sure hits a mean rattle, but whatever they're paying
her is too much - I just hope she doesn't look me up and kick my ass!
David Thornton
Coldcut Sound Mirrors (Ninja Tune). 4
ribs-cold cuts of hot beats.
Coldcut come out poundin’ with Sound Mirrors. Dipping into the
annals of the modern underground, Coldcut aka Jon Moore and Matt Black
recruited some of the most infamous names of their genre. Opening track,
“Everything Is Under Control” features Jon Spencer from
Blues Explosion fame and rapper Mike Ladd. Others follow, including:
Roots Manuva on “True Skool,” John Matthias on “Man
In A Garage” and poet Saul Williams on “Mr. Nichols.”
Coldcut have been making music since the mid-‘80s and Sound
Mirrors is arguably one of their best yet. Will Jordan
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